studiometrico

Few weeks ago American artist Dan Colen presented Karma, his first solo show in Italy. The exhibition, held at Massimo De Carlo, features the installation Oh Shit, a 15m long and 5m tall wooden structure that resembles a skateboard ramp and frames the painting Moments Like This Never Last (No. 2) through its large holes.  To develop and build the daring construction Dan Colen asked advise to studiometrico and Atelier LC. See few images of the installation after the break.

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Berlin_los Angeles. A Tale Of Two (other) Cities has opened on the 12 of November at the Massimo De Carlo Gallery in Milan. The collective exhibition explores new trends in contemporary art through the work of young artists like Klara Liden, Josef Strau, Klaus Weber, Dan Rees, Kirstine Roepstorff, Maximilian Zentz Zlomowitz, Simon Fujiwara, Scott Olson, Frank Benson, Elad Lassry and Kaari Upson. studiometrico has designed a platform with two reading tables that allow visitors to browse through catalogs, books and magazine about the two cities.

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In December 2007 an Italian art dealer decided to expand his business in the prosperous land of Albion. He found the right location in the heart of London, and made a deal with an Irish man who owned the property. He then appointed us to develop a project to transform the 250 sqm building into a new contemporary art gallery. Then came The Crisis…

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A year ago we had the great opportunity to be introduced to a famous painter. He needed help to transform an old industrial space into his new, equipped, atelier. We took the task very seriously: we flew over to visit the building and receive his brief, we set up a deadline and we even started a language course to facilitate the communication with our new ‘potential’ client.
We worked intensively and we presented a consistent design proposal with architectural drawings, diagrams, collages and a 1:50 scale model.
After a neverending wait for a longed-for phone call that has never arrived, we have now decided that this is another lost project.
This painful achievement enables us to publish, after more than a year, the outcome of our work.
Places, names and details about this project are deliberately omitted in order to preserve the privacy of our ‘missed’ client…

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