To describe the development of our project ZUM, we are very happy to publish a new set of pictures that Francesca Pozzi has been shooting for us on site in the last months.

Design Team:

Lorenzo Bini
Claudia Brunelli

Design Consultant:

Gennaro Postiglione

Structures:

Marco Clozza (Atelier LC)

previous posts about this project:

ZUM – 1

ZUM – 2

Few weeks ago American artist Dan Colen presented Karma, his first solo show in Italy. The exhibition, held at Massimo De Carlo, features the installation Oh Shit, a 15m long and 5m tall wooden structure that resembles a skateboard ramp and frames the painting Moments Like This Never Last (No. 2) through its large holes.  To develop and build the daring construction Dan Colen asked advise to studiometrico and Atelier LC. See few images of the installation after the break.

Last June we published a first post about this project for the transformation of an industrial building into offices to rent in Milan. Then we have been silent… but not idle.

Last fall we have been busy with the tender, in October Cometal S.p.A. has been appointed by the client as the main contractor and  in December the project eventually went on site! We are now able to publish some pictures showing the result of the main demolition phase and we hope to keep on posting as the works progress through the whole year.

Design Team:

Lorenzo Bini
Claudia Brunelli

Design Consultant:

Gennaro Postiglione

Structures:

Marco Clozza (Atelier LC)

previous posts about this project:

ZUM – 1

SEA – the company that runs Italian Airports – launched a 2 phases competition for the ‘new gate’ of the Airport of Malpensa. The brief, addressed to teams composed by architects and artists, defined a site between terminal and train station, a budget and some programmatic ambitions. The ‘Gate’ had to be conceived both as transit and pause space, function as infrastructure, be perceived as a landmark and behave as an exhibition space. Together with Massimo Bartolini and VudafieriSaverino we developed our (losing) proposal…

Premise

Novalis noted that “The curve is the triumph of the freedom on the rule”, and Oscar Niemeyer keeps on explaining: “I am attracted by the free and sensual curve.The curve I encounter in the mountains and in the rivers of my Country, in the clouds of the sky, in the waves of the ocean, in the body of the favourite woman. The universe is made of curves, the curved universe of Einstein.”

A gate for Milan

Our proposal is a permeable and autonomous space, defined and circumscribed by a curve with constant radius: a circle. The curve is strong in this context because is completely unusual among the surrounding infrastructures. The curve introduces a dynamic and relaxing ‘field strength’ that becomes the focus of its environment. The ‘perfect’ shape of the circle gains another significance at the architectural scale. The 2-dimensional perimeter carved on the territory is extruded into the flat volume of a 44 m wide and 5 m tall cylinder. The interior become organized space and, therefore, architecture: a circular room with a 30 m diameter flanked by two curved corridors that meet were the space opens to the terminal on one side an to the train station on the other.

Revolving door

This circular space is occupied by a revolving door tied to a structural pillar and constituted by 5 wings, each wing is 14 m long and features few colored glass panels. The revolving door is the metaphor of a transition, and of the world. It’s an open boundary and recalls the image of hotels, theaters, public spaces, meetings and travels… but it’s also the alias of a compass tracing a profile on a sheet of paper, of a radar scanning the sky and monitoring the airplanes traffic.

Fast curves

The curved corridors around the central room work – paradoxically – as fast connections. The outer boundary is composed by a bearing structure combined with colored glass panels. A screen saver is constantly projected onto the boundary of the central room: landscapes, movies, fragments and memories of Milan and the Milanese territory. The shadows of the passengers melt in this images as in a magic lantern.

5:PM

When the mechanical movement of the revolving door stops, 5 rooms materialize and become available spaces for art exhibitions, the ‘kaleidoscope-like’ space become background, the transit turns into pause. 5:PM is the name of our proposal for the ‘New Gate’ of Milan, it’s a revolving door with 5 wings, it’s the time when labor ends a leisure starts, it’s when computers are shut down and people goes out, it’s the right time for departures… and arrivals.

Plan (click to open, then right-click to zoom)

Competition panel (1.272MB)

The Competition Team

Massimo Bartolini
Lorenzo Bini
Claudia Brunelli
Roberta Rizzi

Berlin_los Angeles. A Tale Of Two (other) Cities has opened on the 12 of November at the Massimo De Carlo Gallery in Milan. The collective exhibition explores new trends in contemporary art through the work of young artists like Klara Liden, Josef Strau, Klaus Weber, Dan Rees, Kirstine Roepstorff, Maximilian Zentz Zlomowitz, Simon Fujiwara, Scott Olson, Frank Benson, Elad Lassry and Kaari Upson. studiometrico has designed a platform with two reading tables that allow visitors to browse through catalogs, books and magazine about the two cities.

The Project

The 4×5 m wooden platform divides the main exhibition space in two parts and features two reading tables (one for each city) and 8 small benches. The structure has been realized in MDF fibreboard panels that were pre-cutted according to given dimensions and quickly assembled on site.

the platform (click to open, then right-click to zoom)

The Construction

Once assembled, the platform, the reading tables  and the benches have been covered with a fibre glass wall covering to level and make uniform the surfaces. The material – called Gavatex – is produced by the Italian company Gavazzi and has been glued on the MDF panels and then painted with a warm grey color that matches the one of the concrete floor of the exhibition space.

The Opening

Are we going commercial? Could be… Matter-of-factly last autumn we have started to work on this very pragmatic project for the transformation of a 2.000 sqm industrial building into offices to be let out next year on the Milanese market.

Overall Plan

To transform the existing building and to optimise the usable surface, all the existing structures of the courtyard will been demolished. The Main building (Block A) will be preserved and completely refurbished while a new smaller building (Block B) will be built from scratch. Block A sits on the corner of two urban streets and is characterised by a pitched roof and a regular clean facade. Block B stands on pilotis to enable car parking, has a flat green roof and will only be visible from the inner courtyard.

First floor plan (click to enlarge, then right click to zoom)

Second floor plan (click to enlarge, then right click to zoom)

To comply with the planning regulations, the overall volume of Block A will not been modified. A new mezzanine will be inserted above the top floor and suspended from a the new steel structure of the roof to exploit usable floor surface. To provide access and light to each office a new external corridor with a steel mesh and a suspended fire staircase will be added.

Sections (click to enlarge, then right click to zoom)

The project will employ mostly prefab elements and reasonably cheap materials, Block B bearing structure as well as Block A corridors and staircase structures will be in steel. The new facades of both buildings will be clad with prefab sandwich insulating panels with metallic outer layer.

View of the courtyard (click to enlarge)

Block A - corridors (click to enlarge)

Block A - office (click to enlarge)

The fact that we don’t know our final users (the offices will be let out after the refurbishment) determined the overall ‘mood’ of the interior office spaces. Colours have been basically avoided, bearing structures, partition walls and floor finishing have been deliberately distinguished and characterised with different (mostly black and white…) materials.

Block A - office (click to enlarge)

Block A - office (click to enlarge)

Block B - office (click to enlarge)

Block B - office (click to enlarge)

After some months of work the planning application has been submitted to the municipality and the few contractors invited to tender. The project should go on site after the summer, the refurbishment is supposed to be concluded before summer 2010.

Block A - existing situation

Block A - existing situation

Block A - existing situation

Block A - existing situation

Block A - existing situation

The courtyard - existing situation

Design Team:

Lorenzo Bini
Claudia Brunelli
Roberta Rizzi

Design Consultant:

Gennaro Postiglione

Structures:

Marco Clozza (Atelier LC)

Only 48 hours after the successful ONLYWOOD (the COMVERT Headquarter Grand Opening Party) we went back to Casacomvert for the first skate-session after the completion of the Bastard Bowl, the first skateable spaceship ever landed on earth. It was not surprising to find out that there was a martian skating upthere!

Here few amatorial pics we shoot of Daniel Cardone:

Find out more about this project here.

Few months after their move into their new home, Those Lazy Italians at Bastard, with the help and guidance of Marco Clozza (a.k.a. The Engineer), are eventually busy with the construction of the Bastard Bowl, their spectacular and hazardous ultimate recreative device. Daily updates of the construction works are available here.

See also previous posts about this project:

Refurbishing a Cinema theater in Milan

Refurbishing a Cinema theater in Milan | 2

Refurbishing a Cinema theater in Milan | 3

Casacomvert!

We are finally able to post an ‘almost’ complete set of pictures and drawings concerning a project that has kept us busy for more than one year: The new home of Comvert s.r.l, the italian clothing company that produces and distributes Bastard. Few years ago Comvert asked studiometrico to look for a location for its new headquarter in Milan; the place should have been large enough to host offices for 15-20 people, services, a big storage for their products and an indoor skatebowl for employees, team riders and friends. In spring 2005 we eventually found a Cinema theater from the 50′s that really suited Comvert needs and few months ago – after the conclusion of the refurbishment works – the company has moved into its new home: Casacomvert!

Conceptual diagrams

We have tried to establish few principles that could help us to deal with the existing space: the cinema theater designed by Ing. Mario Cavallé has been perceived as something to preserve, a valuable example in a city like Milan that has apparently forgotten how to produce ‘good architecture’. The following diagrams are a brief attempt to establish basic rules to add new layers within the existing environment without overwriting it, our 5 rules to avoid succumbing to architecture.

Ground floor plan

On the ground level plan – the former foyer of the cinema – constituted by a regular square room facing the street – will be turned into the first bastard flagship store. The ‘half-moon’ shaped space, flanked by two curved staircases leading to the upper balcony, has been transformed into offices for the administrative department. Through this joint element is possible to enter the space of the former pit, now occupied by the two storey metal structure of the storage. Few service spaces, toilets, kitchen, an archive, an enclosed office, and an access courtyard complete the ground floor layout.

Longitudinal section

This schematic longitudinal section shows in a sequence from left to right: the bastard store and the administrative department in the spaces of the former foyer, the creative department built on top of the balcony, the storage that occupies the area of the old pit and, on top of it, the skate bowl that is going to be built in the first one or two months of 2008.

Upper floor plan

The upper level plan shows the creative department built as a number of wooden platforms of different height on the existing balcony and the 144 sqm skate bowl that is going to be installed above the storage structure.

Constructive diagrams

The following Diagrams explain the constructive system of the platforms that constitute the office spaces of the creative department.

• Steel columns have been placed on the concrete bearing structure of the balcony
• Horizontal steel beams have been welded to the vertical columns
• Wooden beams and osb panels have been bolted on the horizontal beams
• 3-layered wooden panles have been placed to clad the platforms and to create furnished banisters.

Maquette of creative department

The office spaces above the existing balcony have been conceived and developed with a 1:50 scale cardboard maquette. The actual design, which is described by the previous diagrams, is eventually different from the one described by the maquette. The final version has been infact adjusted and re-organized on the existing structure of the balcony. The main reason is that the full comprehension of the bearing structure of the balcony was only possible as demolition works started.

Pictures of the buidling site

The following pictures are a selection of the ones we have been shooting during our visits to the building site. The first sequence of photographs focuses on the construction of the creative department platforms, which has been the most challenging and exciting part of the project.

The administrative department offices on the ground floor have been realized with same materials and similar constructive principle. On the slightly sloping marble floor of the foyer we have added another wooden platform that could leave the existing pavement untuched, provide a flat surface and host electrical installations.

Pictures of the ‘squatted’ headquarters

At the end of the summer Comvert has eventually managed to move in its new home! Nevertheless the project is not completely finished… The bastard store and the bastard bowl will come very soon and we are still working on a good deal of finishings, furnitures and details. We are therefore not really able (but then again, shall we ever be?..) to show jet those slick pictures that you often see on architecture magazines where everything is clean, neat and into place… Comvert staff was just too eager to take control of their new headquarters and… they did!

see also previous posts about this project:

Refurbishing a Cinema theater in Milan

Refurbishing a Cinema theater in Milan | 2

Refurbishing a Cinema theater in Milan | 3

Building Bastard Bowl